Reversibility (It is the body and Excised), 2011, installation view, C-print and aluminium structure, 84 x 124 x 6cmEight Blocks or a Field (Bone Doll I), 2013 Framed pencil drawing on paperEight Blocks or a Field (Bean Doll), 2013 Framed pencil drawing on paperEight Blocks or a Field (Bean Doll), 2013 Framed pencil drawing on paperOn Sensitive Ground – shelf II, 2016, The Unswept Floor installation view with Stand by Fiona Connor, 2012On Sensitive Ground – shelf II, 2016, framed etching on paper, 30 x 58cmOn Sensitive Ground – shelf II, 2016, framed etching on paper, 30 x 58cm
Self Portrait, Joanna Margaret Paul, 1970, pencil on paper, 47 x 76cm The Unswept Floor installation view on Stand by Fiona Connor, 2012Self Portrait, Joanna Margaret Paul, 1970, pencil on paper, 47 x 76cmOn Sensitive Ground – bed, 2016, framed etching on paper, 100 x 155cm, installation view with Stand by Fiona Connor, 2012On Sensitive Ground – bed, 2016, framed etching on paper, 100 x 155cmThe Artist’s Mother, Hermanszoon Van Rijn Rembrandt, 1628, etching on paper, 6.5 x 6.5cm and On Sensitive Ground – blanket, 2016, framed etching on paper, 63 x 90cm, The Unswept Floor installation view with Stand by Fiona Connor, 2012On Sensitive Ground – blanket, 2016, framed etching on paper, 63 x 90cm,Christine in the Pantry, Jacqueline Fahey, 1973, oil paint on board On Sensitive Ground – plate, 2016, framed etching on paper, 49 x 51cm, The Unswept Floor installation view with Stand by Fiona Connor, 2012On Sensitive Ground – plate, 2016, framed etching on paper, 49 x 51cmOn Sensitive Ground – shelf I, 2016, framed etching on paper, 49 x 63cm Untitled, Joanna Margaret Paul, 1970, pencil on paper, 47 x 76cm The Unswept Floor installation view on Stand by Fiona Connor, 2012
On Sensitive Ground – shelf I, 2016, framed etching on paper, 49 x 63cmOn Sensitive Ground – floor, 2016, framed etching on paper, 49 x 51cm The Unswept Floor installation view with Stand by Fiona Connor, 2012Task,1982, Joanna Margaret Paul, 8mm film transfer The Unswept Floor installation view with Stand by Fiona Connor, 2012On Sensitive Ground – floor, 2016, framed etching on paper, 49 x 51cmOn Sensitive Ground – sink, 2016, framed etching on paper, 48 x 52cm The Unswept Floor installation view with Stand by Fiona Connor, 2012Sisters Communing, Jacqueline Fahey, 1974, oil paint on board, 119 x 110cm The Unswept Floor installation view with Stand by Fiona Connor, 2012On Sensitive Ground – sink, 2016, framed etching on paper, 48 x 52cmThe Unswept Floor, 2016, installation view Dunedin Public Art Gallery, NZCurtain I–VII, 2011 Seven digital pigment fine art prints 7 x 64 x 84cmDenkmal, 2013, 28min video installation with three chairsDisgrace, 2009 11min video and four pencil drawings on found images installation view
Disgrace (I), 2009, pencil on found image, 30 x 21cmDisgrace (II), 2009, pencil on found image, 30 x 21cmDisgrace (III), 2009, pencil on found image, 30 x 21cmDisgrace (IV), 2009, pencil on found image, 30 x 21cmThe Unswept Floor, 2016, installation view of multiples, printed matter and publications display
Weight, 2014, 11min videoWeight, 2014, 11min video