Reversibility (It is the body and Excised), 2011, installation view, C-print and aluminium structure, 84 x 124 x 6cm
Eight Blocks or a Field (Bone Doll I), 2013 Framed pencil drawing on paper
Eight Blocks or a Field (Bean Doll), 2013 Framed pencil drawing on paper
Eight Blocks or a Field (Bean Doll), 2013 Framed pencil drawing on paper
On Sensitive Ground – shelf II, 2016, The Unswept Floor installation view with Stand by Fiona Connor, 2012
On Sensitive Ground – shelf II, 2016, framed etching on paper, 30 x 58cm
On Sensitive Ground – shelf II, 2016, framed etching on paper, 30 x 58cm
Self Portrait, Joanna Margaret Paul, 1970, pencil on paper, 47 x 76cm The Unswept Floor installation view on Stand by Fiona Connor, 2012
Self Portrait, Joanna Margaret Paul, 1970, pencil on paper, 47 x 76cm
On Sensitive Ground – bed, 2016, framed etching on paper, 100 x 155cm, installation view with Stand by Fiona Connor, 2012
On Sensitive Ground – bed, 2016, framed etching on paper, 100 x 155cm
The Artist’s Mother, Hermanszoon Van Rijn Rembrandt, 1628, etching on paper, 6.5 x 6.5cm and On Sensitive Ground – blanket, 2016, framed etching on paper, 63 x 90cm, The Unswept Floor installation view with Stand by Fiona Connor, 2012
On Sensitive Ground – blanket, 2016, framed etching on paper, 63 x 90cm,
Christine in the Pantry, Jacqueline Fahey, 1973, oil paint on board On Sensitive Ground – plate, 2016, framed etching on paper, 49 x 51cm, The Unswept Floor installation view with Stand by Fiona Connor, 2012
On Sensitive Ground – plate, 2016, framed etching on paper, 49 x 51cm
On Sensitive Ground – shelf I, 2016, framed etching on paper, 49 x 63cm Untitled, Joanna Margaret Paul, 1970, pencil on paper, 47 x 76cm The Unswept Floor installation view on Stand by Fiona Connor, 2012
On Sensitive Ground – shelf I, 2016, framed etching on paper, 49 x 63cm
On Sensitive Ground – floor, 2016, framed etching on paper, 49 x 51cm The Unswept Floor installation view with Stand by Fiona Connor, 2012
Task,1982, Joanna Margaret Paul, 8mm film transfer The Unswept Floor installation view with Stand by Fiona Connor, 2012
On Sensitive Ground – floor, 2016, framed etching on paper, 49 x 51cm
On Sensitive Ground – sink, 2016, framed etching on paper, 48 x 52cm The Unswept Floor installation view with Stand by Fiona Connor, 2012
Sisters Communing, Jacqueline Fahey, 1974, oil paint on board, 119 x 110cm The Unswept Floor installation view with Stand by Fiona Connor, 2012
On Sensitive Ground – sink, 2016, framed etching on paper, 48 x 52cm
The Unswept Floor, 2016, installation view Dunedin Public Art Gallery, NZ
Curtain I–VII, 2011 Seven digital pigment fine art prints 7 x 64 x 84cm
Denkmal, 2013, 28min video installation with three chairs
Disgrace, 2009 11min video and four pencil drawings on found images installation view
Disgrace (I), 2009, pencil on found image, 30 x 21cm
Disgrace (II), 2009, pencil on found image, 30 x 21cm
Disgrace (III), 2009, pencil on found image, 30 x 21cm
Disgrace (IV), 2009, pencil on found image, 30 x 21cm
The Unswept Floor, 2016, installation view of multiples, printed matter and publications display