The Unswept Floor

The Unswept FloorDunedin Public Art Gallery, 12 March – 19 June 2016. 
The Unswept Floor poster/ publication
 with text by curator, Lucy Hammonds.
Design by Karina McLeod.

International Visiting Artist Residency, Dunedin Public Art Gallery/ Dunedin School of Art, New Zealand, 2016.

Reversibility (It is the body and Excised), 2011, installation view,
C-print and aluminium structure, 84 x 124 x 6cm

Eight Blocks or a Field (Bone Doll I), 2013
Framed pencil drawing on paper

Eight Blocks or a Field (Bean Doll), 2013
Framed pencil drawing on paper

Eight Blocks or a Field (Bean Doll), 2013
Framed pencil drawing on paper

On Sensitive Ground – shelf II, 2016, The Unswept Floor installation view with
Stand by Fiona Connor, 2012

On Sensitive Ground – shelf II, 2016, framed etching on paper, 30 x 58cm

On Sensitive Ground – shelf II, 2016, framed etching on paper, 30 x 58cm

 

Self Portrait, Joanna Margaret Paul, 1970, pencil on paper, 47 x 76cm
The Unswept Floor installation view on Stand by Fiona Connor, 2012

Self Portrait, Joanna Margaret Paul, 1970, pencil on paper, 47 x 76cm

On Sensitive Ground – bed, 2016, framed etching on paper, 100 x 155cm,
installation view with Stand by Fiona Connor, 2012

On Sensitive Ground – bed, 2016, framed etching on paper, 100 x 155cm

The Artist’s Mother, Hermanszoon Van Rijn Rembrandt, 1628, etching on paper, 6.5 x 6.5cm and
On Sensitive Ground – blanket, 2016, framed etching on paper, 63 x 90cm,
The Unswept Floor installation view with Stand by Fiona Connor, 2012

On Sensitive Ground – blanket, 2016, framed etching on paper, 63 x 90cm,

Christine in the Pantry, Jacqueline Fahey, 1973, oil paint on board
On Sensitive Ground – plate, 2016, framed etching on paper, 49 x 51cm,
The Unswept Floor installation view with Stand by Fiona Connor, 2012

On Sensitive Ground – plate, 2016, framed etching on paper, 49 x 51cm

On Sensitive Ground – shelf I, 2016, framed etching on paper, 49 x 63cm
Untitled, Joanna Margaret Paul, 1970, pencil on paper, 47 x 76cm
The Unswept Floor installation view on Stand by Fiona Connor, 2012

 

On Sensitive Ground – shelf I, 2016, framed etching on paper, 49 x 63cm

On Sensitive Ground – floor, 2016, framed
etching on paper, 49 x 51cm
The Unswept Floor installation view with
Stand by Fiona Connor, 2012

Task,1982, Joanna Margaret Paul, 8mm film transfer
The Unswept Floor installation view with
Stand by Fiona Connor, 2012

On Sensitive Ground – floor, 2016, framed etching on paper, 49 x 51cm

On Sensitive Ground – sink, 2016, framed
etching on paper, 48 x 52cm
The Unswept Floor installation view with
Stand by Fiona Connor, 2012

Sisters Communing, Jacqueline Fahey, 1974,
oil paint on board, 119 x 110cm
The Unswept Floor installation view with
Stand by Fiona Connor, 2012

On Sensitive Ground – sink, 2016, framed etching on paper, 48 x 52cm

The Unswept Floor, 2016, installation view Dunedin Public Art Gallery, NZ

Curtain I–VII, 2011
Seven digital pigment fine art prints
7 x 64 x 84cm

Denkmal, 2013, 28min video installation with three chairs

Disgrace, 2009
11min video and four pencil drawings on found images
installation view

Disgrace (I), 2009, pencil on found image, 30 x 21cm

Disgrace (II), 2009, pencil on found image, 30 x 21cm

Disgrace (III), 2009, pencil on found image, 30 x 21cm

Disgrace (IV), 2009, pencil on found image, 30 x 21cm

The Unswept Floor, 2016, installation view of multiples, printed matter and publications display

Weight, 2014, 11min video

Weight, 2014, 11min video